Film: Aiyyaa (Hindi)
Cast: Rani Mukerji, Prithviraj
Music: Amit Trivedi
Cinematography: Amalendu Choudhary
Editing: Abhijeet Deshpande
Studio: Viacom 18, IBC Spotlight
Director: Sachin Kundalkar
Producers:Anurag Kashyap, Viacom 18
Written: Sachin KundalkarDistributed by: IBC Motion Pictures
Box office: 2.75 crore (US$519,750)
Release date : 12 October 2012
Watched Theater : PVR Cinemas, Hyderabad
Rating: 2 / 5
Rani Mukerji New Hindi Film Aiyyaa Movie Review:
Long gone are the days when an actor would say his/her film is different
and it would turn out to be a regular Bollywood potboiler. With the
onset of various unlikeliest of gems creating a furore at the
box-office, one only gets further more intrigued at the slightest
mention of anything unconventional in a storyline. And what more unusual
than to have the female lead go head over heels for a man only for his
Meenakshi Deshpande (Rani Mukherji) is a highly animated and over the top, middle class Marathi girl from Pune. She prefers living in her dream world which consists of impersonating her favourite actresses Sridevi, Madhuri and Juhi. If you thought Rani’s quirks are enough, wait till the absurdities of the entire household grip you. So you have Baba, the father, who smokes three cigarettes at the same time, Aaji, the grandmother on the wheelchair wearing sunglasses in the house and has gold teeth, bhau, the brother, who’s only love in live is that for street dogs.
Proceeding ahead with the story, the Deshpande family is in a look out for a suitable groom for Meenakshi. However, the latter’s likings with regards match up to her quirks. She wants a South Indian (read dark-skinned) male. Enters Surya (Prithviraj) and Meenakshi in one swift movement falls for his tanned skin and body odour. However, Surya is completely ignorant of her while in the meantime Meenakshi’s parents have her engaged to another man Madhav (Subodh Bhave). The rest of the film revolves around Madhav chasing Meenashi while the latter chasing Surya.
Rani Mukherjee shines in her wakda role of a Marathi girl. She does a fantastic
job in Aiyyaa with her loud gags and oodles of hamming. Malayalam actor
Prithviraj Sukumaran is convincing as a Tamil hunk. The best part is that he
doesn’t hesitate even a bit with his Hindi dialogues. He looks dashing and
confident throughout the movie.
Technical and Other Departments:
The film completely centers around Rani who tries all tricks of trade
written in the acting book to launch herself in the main league. She
goes dramatic, over the top, loud, humorous but sadly none of it aides
the storyline. It’s difficult to believe that the same actress who’s had
critically acclaimed films in the past stooping to such mediocrity. Music was Below avarage.
Aiyyaa is based on debutant filmmaker Sachin Kundalkar’s 2009 short film
Gandha. Although the concept on papers or as a short capsule sounds
interesting, the problem comes about when Sachin stretches it to massive
proportions. The entire first half dwells on the quirks of the
Deshpande Family and with a little twist coming right towards the
interval point by the time of which you are tired and restless.
Humour being one of the strong elements in the film also fails to
impress and only turns out to be a low IQ farce affair. There’s zilch
amount of logic used in the film and the over the top antics only make
To sum it up, Aiyyaa, is a major disappointment coming from the
production house of Anurag Kashyap and from the once upon a time highly
revered actress Rani Mukerji. Watch this ‘Wakda’ tale at your own risk.